​For a few summers I was a nanny for a little girl named Lucy. Trying to keep up with her two older brothers, Lucy was a fearless, sassy little girl. She was unafraid to walk across the gravel driveway barefoot or jump into the cow pasture where animals ten times her size grazed. 
One day we were sitting down for lunch and Lucy was unusually quiet. Halfway through her crustless peanut butter sandwich she looked up at me with seriousness in her four-year old eyes and asked, “Is God sad when I’m mean to my mom and dad?”. The calm reflectiveness of her question surprised me; it was truly out of character for her. I explained that God is sad when we’re mean to people we’re supposed to love. However, God also loves us very much. I told her that when we sin we can always ask for God’s forgiveness. Somehow these concepts of contrition and mercy must have registered in Lucy’s mind, because she dropped her sandwich and screamed at the top of her lungs: “I’M SORRY GOD!!!!!!”. Her shrill high pitched voice bounced off the walls and echoed throughout the house. Afraid my eardrums were about to burst I told her through my laughter, “I think He hears you, Lucy”.
God hears you. Your joy, sorrow, confusion, guilt, frustrations, excitement… God hears it all. Today let us have the confidence of a child in knowing our prayers are heard.

Colette Harrold, Youth Life Coordinator

Here’s a topic I’ve never addressed in any of my writings:  the choosing of music.  There are more things to consider than meets the eye.  There are the obvious connections to be made: to the readings of the day, the liturgical season, and where a song might best be placed within the Mass.  However, a Music Director should also take into consideration things such as the following:
-Is there a balance between traditional and contemporary?...between organ-based and piano-based selections?  Are other instruments going to be used?  Does the music fit those instruments and the players’ level of ability?
-Does the text reflect good theology?  Does it use “we” language, stressing the communal nature of the Mass, or is it more appropriate for private devotions, due to a “it’s just me and Jesus alone” mindset?
-Do the texts I choose only give people what they “like to” have on their lips?...or do I sometimes risk challenging the community by using texts all of us probably “need to” have on our lips?
-Will the music be led by cantors?...a choir?...more than one choir on a given weekend? Can everything remain the exact same for both Masses?...or will it work better stylistically to vary a few of the song choices?
-Is there a seamless, harmonious flow and level of energy throughout the Mass from beginning to end? 
-Is everything in the same key?...or the same time signature? (This will create boredom and monotony.)
-Are the songs in a comfortable range for singing? 
-Not every song at Mass needs to be thematically related to the readings.  Especially on Sundays during Ordinary Time, is there at least one selection that simply offers God praise and thanks, besides the “Gloria” of the Mass?
-Does the Gathering Song truly “invite” people into the celebration and give a sense of “Here we go!”?
-Similarly, does the final hymn of Mass truly communicate a message and feel that “sends us forth” to share what we’ve just celebrated?
David Orzechowski,
Directory of Liturgy & Music